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Artwork by J. Allen St. John
Price for the numbered edition (#1–600): $349.99
Preorder The Moon Maid: The Centennial Edition |
Reviews of recent and upcoming science fiction, fantasy, horror and other genre related books. Sometimes I'll add something I think will be of interest.
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Artwork by J. Allen St. John
Price for the numbered edition (#1–600): $349.99
Preorder The Moon Maid: The Centennial Edition |
Today is Philip José Farmer's 105th birthday!
As you probably know, Meteor House's annual tradition is to celebrate
Phil's birthday by announcing their first book of the year. And this
year it's Jesus on Mars in its first hardcover edition!
You can read all about the book by following that link, but I want to
just talk about my favorite part. One of the bonus features of this new
edition is the 26,000 word abridgment of the novel that was supposed to
be published in Asimov's Science Fiction Magazine. When that fell through it was eventually published by a small press in, Riverworld War: The Suppressed Fiction of Philip José Farmer in 1980.
Thinking about the groundbreaking stories Phil had published up until then: "The Lovers," Flesh, A Feast Unknown, Image of the Beast, Blown,
etc., I always thought the title, "The Suppressed Fiction..." was
hilarious. Certainly the most ironic title of any of Phil's books, since
neither story in the book was "suppressed."
Throw in fascinating essays by Keith Howell and Tracy Knight, artwork by
the former, and the leatherette boards, gold foil stamping, and custom
printed endsheets on the hardcover limited edition, and this is sure to
be another gorgeous collectible from Meteor House.
Mike Croteau
The Official Philip José Farmer Web Page
www.pjfarmer.com
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His playing with the Yardbirds and as leader of his own bands brought a sense of adventure to their groundbreaking recordings.
By Jim Farber

SF writer and Rotsler Award winning fan artist Ray Nelson died in his sleep overnight November 29/30 his son, Walter, announced today on Facebook. He was 91 years old.
As an author Ray Nelson was best known for his short story “Eight O’Clock in the Morning,” which became the basis of John Carpenter’s film They Live. He also had a short story, “Time Travel for Pedestrians,” in Harlan Ellison’s Again Dangerous Visions (1972). Nelson collaborated with Philip K. Dick on The Ganymede Takeover. His 1975 book Blake’s Progress, in which the poet William Blake and his wife are travelers in space and time, has been called his best work by critic John Clute.

As an artist, in the 1940s Nelson appropriated the propeller beanie as a symbol of science fiction fandom. His fannish cartoons were recognized with the Rotsler Award in 2003. He was inducted to the First Fandom Hall of Fame in 2019.
The Ray Nelson website, which Walter set up, has more bibliographical information, and samples of his artwork. There you can also read a humorous article about Ray’s collaborator, “The Last Days of Philip K. Dick”.
Nelson was born in Schenectady, NY in 1931. He became an active science fiction fan while attending high school in Michigan. After graduation, he went to the University of Chicago (studying theology). In the Fifties he lived for four years in Paris, and met Allen Ginsberg, Gregory Corso and William Burroughs among others of the Beat Generation, as well as existentialists Jean Paul Sartre, Boris Vian and Simone de Beauvoir. He subsequently co-edited Miscellaneous Man, the first “Beatnik” little literary review. In Paris, he worked with Michael Moorcock smuggling Henry Miller books out of France.
Honors Nelson received as a writer included a special citation from the Philip K. Dick Award in 1983 for The Prometheus Man. As a fan, in addition to the awards already mentioned, he was a Best Fan Artist Retro Hugo finalist in 2001 (commemorating work done in 1950) and received the 2014 FAAn Lifetime Achievement Award.
Reprinted from File 770 Copyright by Mike Glyer 2022